
The Grey Man
Chapter Nine - The Cauldron
Land of brown heath and shaggy wood Land of the mountain and the flood...
It's difficult to read the weather worn inscription cut into the stone and Moonwatcher turns around,
sits on the wall of the old stone bridge spanning the Buchan Burn and enjoys the
coolness of the spray on his back as the waterfall cascades down over the rocks.
It's late morning. Warm. Stiflingly warm. Even the trees of the ancient Buchan
Wood offer little relief from the oppressive atmosphere.
The heat wave has
evolved into an uncomfortable, humid, steam bath. People struggle in the
swelter. Clothes are pasted to clammy skin, regardless the degree of effort.
Brows are constantly moist and being mopped by tissues, hankies or forearms.
Flies are a nuisance.
Above and to his right Moonwatcher hears a child
crying up at the Bruce's Stone. An irritable cry: the girning of an infant
unable to cope with these conditions. Few tourists venture down to the bridge.
After only a few steps down the incline, the prospect of struggling back up the
steep hill in the tropical heat turns them back. Overhead, the sky is grey and
heavy. Everyone wishes for rain.
Moonwatcher stands up and
heaves the backpack on to his shoulders then adjusts the straps. He picks up the
tent poles; the four steel tube sections bound together in a tight two foot long
bundle. It's easier to carry the poles than try to cram them into the small
rucksack already bulging with tent, sleeping bag and rations. He walks away from
the bridge, away from the cool water, away from the wailing child, away from
human contact.
The wooden stile is to his left a short distance along the road and he
clambers over it. A clearly defined path soon leads on to the rising slopes of
Buchan Hill. In different conditions the walk would be faster, easier, but the
effort of climbing the path in the sticky heat drains the stamina and
necessitates the need for frequent stops and drinks of water. His water bottle
soon empties and requires continuous filling from the small burns trickling down
the mountainside.
He expected company today, banter, perhaps even the
striking up of partnerships with like minded individuals keen to camp in the
mountains and accompany him on his exploration. On previous trips, when he's
cycled as far as the stile, he's watched distant groups and individuals on this
very path. But today he's alone.
Looking back and down, he eagerly scans the
line of the path already trodden for signs of someone following. But it remains
empty. He suspects anyone looking at him from below, a distant dot plodding up
the diagonal scar across the side of Buchan Hill in the heat, will consider him
mad.
Ahead, the path, still gaining height, disappears around the shoulder of the
hill, up into the Gairland Glen. On reaching the point of the turn, Moonwatcher drops the
backpack to the ground and looks back. Breathing hard, shirt soaked in sweat, he
stands, poles canted to his shoulder, gazing out the way he's come. Far below,
the panorama of Glentrool stretches out before him. Loch Trool, Mulldonach and,
in the far distance, almost obscured by heat haze, the Caldons Wood.
It's
with some reluctance that he turns his back on the view, dons his backpack again
and sets out around the curve. The dark mountains immediately close in, as
though a door has been slammed shut behind him. Sandwiched between the towering
bulk of the Buchan on his left, and the rocky face of White Brae Top across the
gap to the right, he looks down on the Gairland Burn. This stream is responsible
for cutting out this channel from the mountain lochs above.
As he continues
upwards towards the head of the gulley and the distant Pass above, formed by
Buchan Hill and the Rig of the Jarkness, he becomes increasingly aware of the
silence and diminishing light. Apart from the faint sound of the Gairland far
below and the occasional bird, the quietness is palpable and unnerving. The sky
is darker now, not a breath of wind, the landscape taking on the hue of an old
sepia photograph. It's eerie, and the thought of turning back is never far from
his mind.
As he trudges upward towards the Pass, he draws level with the
Gairland as it tumbles down from the high ground ahead. The path across a ford
takes him over it's gurgling water. A mistake he'll regret later!
By the time
he reaches the top and rests on a convenient rock, the heavens have turned black
and threatening. It's still only mid afternoon but the gathering storm has
virtually eliminated daylight. A drop of rain splashes on his bare arm. A heavy
drop. Not a little teardrop heralding a passing shower, nor that of the common
drizzle so taken for granted by inhabitants of Scotland. This droplet is big,
laden with water and cold. Moonwatcher looks in
surprise at the area of wetness on his arm, much greater than he'd expect from a
single raindrop. A second splash has him pulling the yellow oilskin cycling cape
from the top of the backpack.
Flipping the cape over his head, smelling it's
musty damp odour from many previous drenchings, he pulls it down so that it
covers his upper body and the backpack. He leaves the hood down, enjoying the
coolness of the raindrops on his head and face.
Making his way over the top
he looks down into a great, desolate bowl. His first view of the Cauldron of the
Dungeon.
The Rev C H Dick, in his 1916 book 'Highways and Byways in Galloway and Carrick' wrote of this place...
'You are here in the heart of the great Cauldron, on an expanse of moor and bog drained by many streams. Although it is almost completely encircled by hills, it gives a wonderful sense of spaciousness. The loneliness is profound... If you wander about... you have a feeling of constraint that prevents you from becoming absorbed... You are here on sufferance. Something in the wilderness is uneasy and resentful at your presence. It is patient, but has the latent possibility of capricious outbreaks, and you cannot tell when or how it may strike. Tramping over the moors, you have now and then the sensation of being watched by an alien intelligence, and you turn round as if to face an indefinable threat. Heaven help the man who is taken by a sudden rush! You are glad to hear the croak of a raven that tells you that you are not quite alone. This is the effect of the place in fine weather. On a sunless day, when the clouds are low, you feel like a lost soul committed to some chill reach of Eternity. Time weighs on you... The final dwindling of the latest glacier might have taken place a week ago.'
A lost soul! The words return to Moonwatcher as he moves
slowly, tentatively down the slope over the tussocky, ankle punishing grass. The
path has all but disappeared and he must be careful of his footing. He wishes
he'd bought a better pair of boots.
That's how he feels - like a lost soul.
He's read the Reverend's account many times and tried to imagine the scene,
accepting the fact that when he finally experienced it for himself it would
likely be on one of those sunless days. But this was unexpected, much worse and
increasingly unsettling. The whole area seems to be brooding, warning him back,
resenting his presence. The landscape seems alive, malevolent, and
threatening.
The sudden bright flash stops him in his tracks, frozen mid step, the sharp intake of breath the only indication of his shock. At the moment the sky and surrounding area lit up, his wide eyes caught a fleeting glimpse of a jagged fork of lightning somewhere ahead of him. Before his brain can register the fact, the thunder clap overrides his senses and sends him into fight or flight mode. It echoes off the surrounding mountains shaking the very ground on which he stands.
'Heaven help the man who is taken by a sudden rush!'
Moonwatcher finds
himself on the verge of panic. He'd run but - where to?
Out in the open, he
can only cower as another flash sears across the sky followed immediately by a
crash of thunder louder than the first. Rain starts to hammer down. Heavy
torrential rain. He pulls the hood over his head.
About a hundred yards ahead
of him he spies a large boulder perhaps three or four feet high, barely visible
through the worsening downpour. As he hurries forward, another flash of
lightning suddenly brings the realisation that he's carrying the steel poles in
his hand! With no thought to direction or consequences of loss, he throws them
as hard as he can. They disappear, in a high arc, into the gloom.
Reaching
the boulder he cowers down beside it, his hooded head tucked between his knees,
arms held tight to his chest inside the cape, fists clenched. He's shaking, but
not cold. The flashes continue, still visible under the hood. The thunder is
deafening as reverberates around the cauldron. The rain turns to hailstones,
pounding the thick cape.
Moonwatcher wants out of
here. He wants to run. Run back down the mountain, back to the Caldons, back to
the caravan, all the way back to the city where he can hide indoors. He wants to
be anywhere away from this dreadful place. Anywhere but here!
Time passes slowly… It takes a few moments to realise there have been no more
flashes and that the thunder seems less loud, farther way, with longer interval
between peels. The hailstones too have stopped, giving way to normal rain. He
pulls back the edge of the hood and takes a tentative look around.
Mist
obscures the surrounding mountains. The patter of rain off the cape
is the only sound now, apart from intermittent distant rumblings of the passing
storm. Occasionally the horizon flickers with the last throes of lightning. As
he stands up, he finds the air cooler, fresher, but thick with the pungent odour
of ozone. His welcome to the Cauldron of the Dungeon has been an experience. One
he'll never forget.
After searching around and retrieving the tent poles he begins to orientate
himself. From where he's standing he looks east down the slope to a stretch of
water readily identifiable as Loch Valley. To the left of it, his intended
direction of travel, the slopes of Craignaw and the Dungeon disappear into the
north: a stream with accompanying dry stane dike clinging to their feet. The
stream empties into Loch Valley and he identifies it on the map as Mid Burn
connecting Loch Valley with Loch Neldricken. The high slopes behind him are
hidden, shrouded in mist.
Recalling Davie Bell's account of camping on the
shore of Neldricken, he settles on a plan; head down to Loch Valley, pick up the
mouth of the stream, trace it back to Neldricken and find a place to camp. Seems
a good plan. The only plan.
He resumes his way down the slope. Negotiating
the tussock covered, pot-holed ground is frustrating, made all the more
difficult by the wet, slippery grass and squelchy bog underneath. By the time he
reaches the loch the rain has almost stopped and he's glad to be rid of the hot
stuffy cape.
Following it's western bank towards the tumbling outflow of the
Mid Burn, it begins to dawn on him that he shouldn't have been so quick to cross
the ford way back in the gully. For up ahead the Gairland leaves the loch and
he's now on the wrong side of it.
To make matters worse the heavy rain has
swollen the water level turning the exiting stream into a torrent. He watches
the fast moving water for some time, walking up and down looking for a crossing
point that's narrow, shallow and slow moving. Retracing his steps all the way
back to the ford is out of the question and he finally chooses a spot that he
considers a reasonable compromise with his narrow, shallow, slow
criteria.
Boots are removed, laces tied together and slung around neck, socks
off and trousers off. The fast running water's icy cold and comes up past his
knees. The rocky bed's unstable and slippery. The force of the water almost
takes the feet from him a number of times, but he makes it across.
Following the stream and dike up the slope from Loch Valley and deeper into the Cauldron, he's surprised to see in the distance… a tree! As he gets closer he does a double take as the outline of what at first appears to be the ruins of a house appears. The tree, situated at one end of the structure turns out to be a Rowan.
The Rowan tree has great spiritual significance in Celtic culture. Believed
to be a powerful source of protection, it's found in the gardens of many rural
homes, farmhouses and old sheilings. In the past, cattle pens were protected by
Rowan and it was even reckoned to prevent against being struck by
lightning!
A creepier piece of folklore tells of Rowan being planted in
graveyards to prevent the dead rising and 'walking out'. It's said that a
flourishing Rowan found in a remote and desolate spot is a sure sign that
someone of importance is buried in the ground below.
Moonwatcher's blissfully unaware of any of this as he explores between the
stones. It soon becomes clear that the structure is unlikely to have ever been a
dwelling, more likely large pen or 'sheep ree', common in the south
west.
It's actually part of the dike running between the two lochs, it's
walls forming a rectangle. It's very old, the stones and boulders of it's
construction worn and tumbled, covered in moss and lichen. The central area is
strewn with rocks and carpeted with the same thick clumps of coarse grass as
that outside it's perimeter. The rushing water of Mid Burn flows alongside
before tumbling down towards Loch Valley.
As Moonwatcher stands against
the rough wall under the leaves of the small tree, he decides to make this his
camp. The walls will provide some degree of shelter, the burn a plentiful supply
of water.
And the tree? Well, even without the benefit of folklore, he
derives a feeling of comfort from sharing his camp with another living form. And
if he had been aware of it's supposed protection properties? Given his recent
experience with the storm, he'd probably have played down the burial ground
factor in favour of the protection against lightning.
The tent goes up quickly, the pins securing the guy ropes to the soft, spongy
ground are reinforced by heavy rocks placed on top. The rain has stayed off but
the sky remains heavy.
Once he's unrolled his sleeping bag, settled cross
legged at the entrance and fired up the stove, he begins to relax a little as
water from the burn begins to bubble and steam in the tin mug. Tearing open the
first of the packeted soups from his rations he prepares his first meal. The
soup is good, as is the chunk of cheese and crackers that follow. The can of
beer he was saving for when he'd completed his quest, but he punctures the top
now, telling himself he's earned it.
As he wanders around his camp, sipping
from the can and swatting midges, he feels the loneliness spoken of by the
Reverend. He glances repeatedly to the south, towards the point on the horizon
between the Rig of the Jarkness and Buchan Hill, hoping to see movement, a sign
of hikers, fellow campers even. But the landscape remains his alone.
He's
reluctant to stray too far from the 'safety' of his camp and finds himself
sitting on a large stone beside the burn where he can still see the Rowan tree
and the top of his blue tent. The pipe smoke does indeed help keep the midges at
bay, but it takes a lot of puffing and he's soon driven into the tent with the
flap securely zipped behind him.
The rain starts again and he moves
everything away from the sides to prevent water soaking through, ever careful
not to touch the canvas with his head, body or feet.
His beer finished, he
turns the empty can over in his hands. Darkness is still a good way off but he
wants to reserve the battery power in the cycle lamp he's brought with him.
Taking the Swiss Army knife, he cuts a slot down the side of the can, then
slices two further cuts horizontally one above and one below the original -
forming an 'I' in the side of the can. Peeling back the two flaps formed by the
cuts reveals the shiny reflective interior. He rummages in his backpack and
finds the candle he bought from the camp shop. Cutting a two inch piece off the
top, he lights the wick and dribbles some of the melting wax into the base of
the can. Then secures the stump onto the solidifying wax. A loop of guy rope
threaded through two pierced holes in the top and some water poured into the
base around the candle and he has a serviceable lamp for when darkness falls. He
suspends it from a hook taped to the rear pole and sits back chuffed with his
creation. Should the lamp fall from the pole, the candle will be snuffed out by
the water - that's the theory anyway.
The rain doesn't let up and, as darkness falls he sprawls out on his sleeping bag under the flickering light of his homemade lamp, reading 'The Highwayman' and listening to the patter of rain on the canvas. Never has he been so isolated. Never so self-dependent. Never so lonely… or frightened.
Next: The Grey Man of the Merrick
Man, like the animals, is meant to live together with
others like himself.
But the meaning of belonging to such a group is found in
the comfort of silence and the companionship of solitude.

